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Boris (band)
From Wikipedia, the free encyclopedia
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|---|---|
| Origin |  Tokyo, Japan |
| Genre(s) | Sludge metal Doom metal Stoner metal Psychedelic rock Noise Ambient Drone music |
| Years active | 1992–present |
| Label(s) | Hydra Head, Southern Lord, Inoxia, Diwphalanx |
| Associated acts |
Sunn O))) Merzbow Keiji Haino Michio Kurihara |
| Website | Official site |
| Members | |
| Atsuo Wata Takeshi |
|
| Former members | |
| Nagata | |
Boris (ボリス) is a Japanese rock music band formed in 1992. As of 2007, personnel are drummer Atsuo, bassist/guitarist/vocalist Takeshi, and guitarist Wata.
While most commonly associated with the doom metal and drone metal scenes, Boris are also renowned for their ability to regularly incorporate elements of many musical genres while maintaining an identifiable sound and quality. Boris have explored psychedelic rock, noise, ambient, sludge rock, post-rock, stoner-rock, along with more conventional, mainstream rock styles.
Named after a song on the The Melvins' Bullhead, Boris formed in 1992 and released their first album Absolutego on their own Fangs Anal Satan label. Since then, they have released 16 studio albums (including Absolutego), and many EPs, 7" singles, and full-length collaborative recordings, on various record labels across the world.
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Boris were originally a four-piece, with Nagata on drums. Nagata departed in 1996 leaving Atsuo to take over drumming duties and they have remained a three-piece since.[1]
From their formation, Boris's members have made deliberate efforts to avoid being pigeon-holed, or too strongly associated with any musical style. "Having some kind of preconceived message or theme is very boring to me," noted Atsuo, the band's drummer. "It becomes a crutch. Just say what you want to say."[2]
The band's influences are eclectic, with Sleep, Nick Cave, Nick Drake, Venom, and the Melvins being a few of the more important ones. The group quickly realized that they did not fit in with the Japanese hardcore punk scene that birthed them, though they retain a fondness for the scene and its music.
In Japan, Boris release most of their music on the indie label Inoxia Records. Though relatively unknown in their home country, a recent series of reissues on US label Southern Lord Records has seen their popularity in North America increase dramatically, even gaining them widespread recognition in the mainstream music press. Many of Boris's vinyl releases feature similar artwork for the inner label of the record (pictured). This is a parody of the original Roger Dean artwork that Virgin Records used for many of their releases (seen here).
2005's Pink was met with considerable critical praise and a strong response from music fans when reissued in the US on Southern Lord Records. Blender magazine and SPIN magazine both named it one of 2006's best CDs.[3] The album also topped the metal section of Canadian magazine Exclaim's 2006 Reader's Poll, and was in the top 10 of Pitchfork Media's Top 50 Records Of 2006.
Boris's recent vinyl-only release, Vein, focused on a sound derived from classic Japanese noise and crust punk bands, such as Gloom, Confuse, and Gai.
Boris began their career as a hardcore punk band before quickly changing to a drone metal group. Their debut album, 1996's Absolutego, clocks in at well over an hour in length, yet features only one "song," essentially a collage of shapeless guitar noise -- with single chords sometimes stretching past the 4-minute mark -- and screamed vocals. Throughout their career, they would continue to dabble in this style; their albums Flood and Feedbacker also consist of single epic-length songs, though typically broken into smaller parts, and their The Thing Which Solomon Overlooked series could be described as being recorded experiments in the drone genre.
However, since about 2000, Boris has become more often seen as an updated version of the blues-rock power trio, influenced heavily by late-'60s and '70s groups such as Motörhead, Blue Cheer, and Cream. Boris first made use of this sound on their album Heavy Rocks, which has since become a fan favorite. This album marked a major shift in tone for Boris; comparing Absolutego to Heavy Rocks, it is as if one were comparing two very different bands.
Boris has collaborated with fellow Japanese musicians Keiji Haino, Michio Kurihara, and Merzbow, and also collaborated US drone metal band Sunn O))), for the well-received Altar, which was released on October 31, 2006.
Another important concept in the band's aesthetic is the idea of "uppercase" and "lowercase" Boris. According to Atsuo, if the band's name appears as "BORIS" on the record cover, the music is a relatively conventional dose of rock or metal. If the name appears as "Boris" or "boris," then, the music is most likely an experimental recording.[1]
As mentioned, Boris play music in a variety of genres. This dictates that their setup in a live environment be equipped with many different effects pedals and other guitar accessories. Wata uses an E-bow to achieve bow-like sounds or to manipulate feedback; this device is held in the hand, like a pick, but relies on a strong magnetic pull to move the guitar's strings. Also important, and used by both Takeshi and Wata, is the BOSS Feedbacker pedal, a long-discontinued Japanese pedal which allows the user to play chords over a sustained feedback note or tone. The band named an album after this device.
Further allusion to the sound of '70s hard rock is made in the band's exclusive use of Gibson guitars such as the SG and Les Paul models. Takeshi sometimes plays a double-necked Ibanez SG-style bass/guitar live, which allows him to drone away on the guitar during longer numbers but quickly switch to bass without needing to switch instruments. Wata uses the Orange cabinets and Matamp heads also favoured by stoner metal groups Sleep and High On Fire; Takeshi uses Ampeg bass amps, a trademark of desert rock legends Kyuss, and influential Palm scene guitarist Josh Homme.
In the studio, Boris records on analog equipment. They record as much as possible live, with minimal overdubs and as few takes as possible.[2]
The members of the band each go by one name only. However, it has been revealed in recent years that Atsuo's surname is Mizuno, and it is possible that Takeshi's surname is Ohtani, as he was known until 1998. Fans often assume that Atsuo is the leader of the group, but since Atsuo speaks near-fluent English, he may be over-represented in English language interviews and press releases.
- Atsuo - lead vocals (1992-1996); drums/lead vocals (1996-1998); drums/backing vocals (1998-present)
- Wata - electric guitar (vocals on 2006 release Rainbow)
- Takeshi - bass guitar/rhythm guitar/lead vocals
- Nagata - drums (1992-1996)
Listed below are the major releases from the band. For most collaborations, singles, and splits, see the main article.
|
Full-lengths |
Full-lengths (Reissues) |
- ^ a b Altar liner notes (Daymare 3LP pressing)
- ^ a b "Atsuo - BORIS/boris." Rad Company. Date unknown. Retrieved on March 23, 2007.
- ^ "The 50 Greatest CDs of 2006." Blender Magazine Online. Jan/Feb 2007. Retrieved on February 9, 2007.
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|---|---|
| Atsuo • Wata • Takeshi | |
| Discography | Boris/Barebones • Absolutego • Boris/Tomsk 7 • Amplifier Worship • Black: Implication Flooding • More Echoes, Touching Air Landscape • Flood • Megatone • Heavy Rocks • 1970 • Boris/The Dudley Corporation • Akuma no Uta • Live at Shimokitazawa Shelter • Boris At Last: -Feedbacker- • The Thing Which Solomon Overlooked • 04092001 • Sun Baked Snow Cave • Dronevil • Wizard's Convention: Japanese Heavy Rock Showcase • Soundtrack from Film "Mabuta no Ura" • A Bao A Qu • Boris aRCHIVE • Heavy Metal Me • Pink • The Thing Which Solomon Overlooked 2 • The Thing Which Solomon Overlooked 3 • Vein • Altar • Rainbow • Walrus/Groon • Long Hair and Tights • Damaged • She's So Heavy • Rock Dream |
| Related articles | Drone metal • Doom metal • Sunn O))) • Merzbow • Keiji Haino • Inoxia Records • Diwphalanx Records • Southern Lord Records |
| External links | Boris • Southern Lord Records • Inoxia Records • Diwphalanx Records |