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Kansas_City_jazz
Stylistic origins:	blues, New Orleans jazz
Cultural origins:	1920s
Typical instruments:	piano, saxophone, trumpet, double bass, drums
Mainstream popularity:	1930s and 1940s

Kansas City Jazz is a style of jazz that developed and flourished in Kansas City, Missouri during the 1930s and marked the transition from the structured big band style to the musical improvisation style of Bebop.

According to a Kansas City website: While New Orleans was the birthplace of jazz, America's music grew up in Kansas City^[1]

Contents 1 Background 2 Style 3 Aftermath 4 Musicians 5 References

The first band from Kansas City to acquire a national reputation was the Coon-Sanders Original Nighthawk Orchestra, a white group which broadcast nationally in the 1920s. However, the Kansas City jazz school is identified with the black bands of the 1920s and 1930s.

Kansas City in the 1930s was very much the crossroads of the United States resulting in a mix of cultures. Transcontinental trips at the time whether by plane or train often required a stop in the city. The era marked the zenith of power of Big City Tom Pendergast. Kansas City was a wide open town with liquor laws and hours totally ignored and was called the new Storyville. Most of the jazz musicians associated with the style were born in other places but got caught up in the friendly musical competitions among performers that could keep a single song being performed in various variations for an entire night.

Often members of the big bands would perform at regular venues earlier in the evening and go to the jazz clubs later to jam for the rest of the night.

Claude Williams described the scene:

Kansas City was different from all other places because we'd be jamming all night. And [if] you come up here ... playing the wrong thing, we'd straighten you out.^[2]

Clubs were scattered throughout city but the most fertile area was the inner city neighborhood of 18th Street and Vine.

Among the clubs were the Amos 'n' Andy, Boulevard Lounge, Cherry Blossom, Chesterfield Club, Chocolate Bar, Dante's Inferno, Elk's Rest, Hawaiian Gardens, Hell’s Kitchen, the Hi Hat, the Hey-Hay, Lone Star, Old Kentucky Bar-B-Que, Paseo Ballroom, Pla-Mor Ballroom, Reno Club, Spinning Wheel, Street's Blue Room, Subway and Sunsetx.

Kansas City Jazz is not easily recognizable as a style because of its improvisation method in which musicians passing through town would compete with each other. It was not uncommon for one "song" to be performed for hours at a time. The music was not recorded or written down. The transition style is bracketed by Count Basie who in 1929 signed with the Bennie Moten's Kansas City Orchestra and Kansas City native Charlie Parker who was to usher in the Bebop style in the 1940s.

Kansas City influence overtly transferred to the national scene in 1936 when record producer John H. Hammond launched his career by discovering Kansas City talent starting with Count Basie.

Pendergast was to be convicted of income tax evasion in 1940 and the city cracked down on the clubs effectively ending the era.

Beginning in the 1970s Kansas City has attempted to celebrate the heritage by taking off the rough edges for family friendly environments. In the 1970s, the city tried to create a jazz enclave in the River Quay area on the Missouri River in the City Market neighborhood. Three of the clubs were bombed during a mob war that ultimately also led to the demise of mob influence of Las Vegas casinos that was depicted in the movie Casino.

In 1981 114 people died in the Hyatt Regency walkway collapse in an attempted recreation of the jazz scene during a tea dance.

In 1996 Kansas City native Robert Altman released the film Kansas City depicting the Kansas City jazz era.

In 1997 the American Jazz Museum opened in the 18th and Vine neighborhood with a mission of celebrating Kansas City's jazz heritage.

• Count Basie
• Buck Clayton
• Herschel Evans
• Coleman Hawkins
• Jo Jones
• Pete Johnson
• Harlan Leonard
• Jay McShann
• Bennie Moten
• Hot Lips Page
• Charlie Parker
• Sammy Price
• Jimmy Rushing
• Joe Turner
• Ben Webster
• Claude Williams
• Mary Lou Williams
• Lester Young

1. ^ Kansas City has the blues and all that jazz
2. ^ Kansas City a Wide Open Town (part of Ken Burns "Jazz" website)

The City of Kansas City
History • Architecture • Downtown • Economy • Barbeque • Jazz • Fountains • Broadcast • Film • Neighborhoods • Metro Area • Sports